The death of print media edition.
An interesting look at the plight of the newspaper
Always amusing, Gawker rounds up the twitter feeds of media-types
A roundup of Avant Media artists on Twitter after the Jump »
Friday Afternoon Links II-vi-2009
An interesting look at the plight of the newspaper
Always amusing, Gawker rounds up the twitter feeds of media-types
New Aqua Madora sample
I’ve just uploaded a new audio sample of Aqua Madora. The video on the page is still from the Permanent Wilting performance with Dani Beauchamp dancing. I’ve added a sample of the “Table” section of the Triplicate performance which was expertly recorded by Mike Rugnetta here.
I’m also including the sample after the jump. here
Doleo Æternus recording
I’ve just posted the full length recording of Doleo Æternus on this page: ISIM Recording
The recording turned out quite well, and I want to say a big thank you to all of the performers who played so beautifully.
Friday Afternoon Links XII-xii-2008
Hot Karl
I never got around to posting links last week – we were performing Doleo Æternus at the ISIM conference and it was completely insane.
There is a Flickr gallery of images we took during our trip to Denver here and more coverage will be coming as we get images from the ISIM and finalize a recording for your listening pleasure.
In the meantime – here are this weeks sporadic and miscellaneous links:
Heading Home
I’m sitting in the Denver airport on my way home from performing Doleo Æternus on Friday evening. It was a really interesting experience. Mike Rugnetta and Amali Premawardhana were fantastic. They played beautifully and I can’t wait to hear the recordings. Even though the performance is over, I still haven’t seen Ana’s video. I know we ended together and I’ve heard there were some fantastic moments of synchronicity.
I’ll be posting clips and sound samples soon.
I want to say a big Thank You to Mike and Amali, to Ana, to the Playground Ensemble, and to Kate and Conrad and everyone at DU and the ISIM. It was a great experience and I’m sure I’ll look back on this as the catalyst in the next phase of this piece.
Friday Afternoon Links XI-xxviii-2008
I am sitting in the Dream House in lower manhattan. A perfect activity for the day after what turned out to be an epic Thanksgiving dinner I cooked last night (11 courses, but more on that later…).
In one week we will be performing the latest version of Anger now called Doleo Æternus written by moi and with a new video shot by Ana Baer-Carrillo and edited by Caren McCaleb at the ISIM Conference in Denver, Colorado. This is extremely exciting for me, but also nerve-racking.
Here is the only link for today.
Doleo Æternus at the ISIM
In just over two weeks we will be premiering the new version of Anger at the third annual ISIM Festival in Denver Colorado. This is a major new version of the work, now being called Doleo Æternus. We’re very excited to be going back to our home-town (of sorts) and peforming this piece there. The staff of the ISIM has been extremely helpful, and the soloist: Mike Rugnetta, Amali Premawardhana and Myself; will be joined by members of the University of Denver Playground Ensemble.
The program at ISIM is very large, and as such has only a small space for program notes. My full description of the piece is after the jump. Jump »
Friday Afternoon Links: IX-xxvi-2008
This week’s links are minimal: it’s raining and I am exhausted – plus my bank has been seized.
Nick Brooke’s performance this weekend in Boston – Avant Media principal artist Mike Rugnetta is doing sound design and other sonic things for this performance. If you’re in the Boston area definitely go and see it.
Time and Motion Study
I’m a couple clock ticks away from shipping off to MA to help out composer Nick Brooke during his Workshop Residency at Mass MoCA. I’ll write more about Nick, his amazing work, and all that other jazz during the residency, but I noticed today Time and Motion Study made it to the front page of the Mass MoCA website. Check out the perma-link to the show page:
http://massmoca.org/event_details.php?id=405
I expect to see everyone in MA on Sept. 27th
Crimson Drizzle : Minimalism in the Rain
Part II: The Performer’s Perspective
I don’t think I need to say “Crimson Grail is an ambitious piece of music.” I knew going into the recently failed attempt of performing Rhys Chatham’s magnum opus at Damrosch Park at Lincoln Center that the sheer practicalities of it were going to be something to witness. And that they most certainly were. The whole production crew was not only skilled, but adept at handling the needs of 200 guitar players and their heaps of gear. By my calculations they were responsible for the care, feeding and shelter of half a million dollars in gear, probably more; I saw some Marshall Stacks and a vintage SG.
Rehearsals were an enjoyable process considering how mind numbingly boring they were. The first two days went by with little to report. Turns out some folks didn’t know how to read music. Those who did were surprised. Each camp half snickered about the other – one was taking it way too seriously, the other was shocked the organizers invited non-professional guitar players, but it was all in good fun. The rehearsals served mostly to give everyone a chance to meet their section and buddy buddy with some guys (and here I will pause to mention: 10 ladies were a part of 200 performers) who share similar interests if not hair-dos, weight classes and taste in vintage wrestling t-shirts. There were some good ones, trust me.
The caliber of people involved in all aspects of this piece was stellar. Crimson Grail NYC was cast with the friendliest group of 190 dudes and 10 ladies with guitars I have ever met. This fact made the rehearsals worth going to, because no matter how long we practiced extended tremolos or talked about the Soprano transition to Section G in part 2A, we were never, ever going to play that piece the way it is written.
There. I said it.
And here is why. (more…)
